Charles Hackett was born in Worcester, Massachusetts (USA) and died in New
York. On the recommendation of Lillian Nordica, he studied at the New England
Conservatory with Arthur J. Hubbard and later with Vincenzo Lombardi in
Florence. Hackett made his début in Genoa as Wilhelm Meister. He first
appeared at La Scala in 1916 and at the Paris Opéra in 1917. After
performing during the 1917-1918 season at Buenos Aires, he made his
Metropolitan début as Almaviva. He was closely associated with the
Chicago Opera from 1922-1935 and performed in the major houses in Europe,
including Covent Garden as Romeo in Melba’s farewell performance.
According to some writers, Hackett’s recordings “document a secure
technique and a certain elegance, though there is also a sense of routine about
them. That sense is completely dispelled by the sweep and finesse of his style
in a recording of a Metroplitan Opera broadcast of Gounod’s
Roméo et Juliette
from 1935.”
For a biographical sketch of Rosa Ponselle, see
her page
on this site.
The recording featured here is a Columbia acoustic from 1920.